For historic artefacts and Hollywood motion pictures
Powerful, flexible and robust software with proven track record in blockbuster movies, National Geographic, industry and research.
Any number of cameras
From 4 camera systems through to full body and 360 degree rigs with hundreds of cameras.
Wide range of applications
Photogrammetry, time lapse, product photography, R&D, digitizing images and museum collections, inspection and quality assurance, TV and movies.
'Bullet time'
Freeze frame and time slice effects
Shoot in any format
Shoot Raw, JPEG, Raw + JPEG or video.
Rapid download
Divide cameras between PCs for rapid download from large arrays.
Single control point
Synchronize and control camera settings from a single PC, including cameras connected to other computers on a network
Freeze frame
Create 'bullet time' freeze frame and time slice effects
Simultaneous video capture
Capture video from multiple cameras
Grid based live view and image preview
Grid preview and live view displays of images from each camera
Remote trigger
Trigger cameras by remote release or from PC.
Bar code mode
Scan code and take photos automatically, incorporating scanned data into image filenames. (Also support RFID and CR code scanners.)
Easy image organisation
Download and name images by camera name.
Compatible with Adobe After Effects
Post process PNG copies of stabilised images with Adobe After Effects
Green screen support
Green and blue Chromakey support
Photo booth mode
Capture split second action or switch to guest controlled booth with countdowns.
Multi-Camera on location in China
We don't often get to share the most outstanding Multi-Camera shoots. This fabulous Splice Boys advertisement is an exception. You can see more of their Multi-Camera work on Vimeo and at spliceboys.tv here
Climbing Redwood giants
National Geographic used Breeze Multi-Camera for this award winning shoot
